There is a quality of stoicism and male love gone poorly communicated that ornaments these deeper themes that Taylor set up very, very intelligently.” He notes, “We were influenced by the Peckinpahs of the world. “This is a perfect example, but that kind of stuff forever hasn’t it? I think the success of the script, and why people say ‘that’s a great movie’ is because it reminds us of who we are and shines a little light on what we’re capable of, you know?”įoster appreciated that the Scottish Mackenzie didn’t “hammer us over the head with the politics of it.” That, in fact, the film very much is a tribute to the socially conscious films of the ’70s. “Look at Standing Rock, man, what’s going on right now,” he adds of the protests over the Dakota Access pipeline.
But there’s still love involved, tremendous love involved. What we’re willing to do for our family, yeah, but at your family’s expense. All of these things kind of completely went over my head and I actually learned an incredible amount about how resonant the film was and all of these issues.”īridges too understands the film’s contemporary themes but also saw it as a timeless piece of art, noting, “that’s how we roll as humans, that’s our species - very selfish, just thinking about ourselves and there’s some beauty to that.
“It so speaks to generational violence and family trauma. “It so speaks to how banks have screwed over communities and people for years,” Pine says.
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